Photography

The Likeness of Labor

Episode 24:   On this episode I talk to Christopher Oliver, curator of the Likeness of Labor exhibit at the Virginia Museum of Fine Arts. We talk about the haunting history of child labor in the early U.S.

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Obj. No. 75.60 Lewis W. Hine (American, 1874–1940) Addie Card, 12 Years, Spinner in Cotton Mill, Vermont, 1910 Silver gelatin print 4 11/16” × 3⅝”W 11.91 cm × 9.21 cm Image must be credited with the following collection and photo credit lines: Virginia Museum of Fine Arts, Richmond. Virginia Museum Art Purchase Fund Digital photo: David Stover © Virginia Museum of Fine Arts

Ultimate trust…

Lewis W. Hine, American, 1874 - 1940 (Artist); Italian Madonna,

75.54; Lewis W. Hine, American, 1874 – 1940 (Artist); Italian Madonna, Ellis Island; 1905; silver gelatin print; Sheet: 7 × 5 in. (17.78 × 12.7 cm) Image: 6 11/16 × 4 7/8 in. (16.99 × 12.38 cm); Virginia Museum Art Purchase Fund; Virginia Museum of Fine Arts, Richmond

 

A man hides his rotten teeth with a callused hand…

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Obj. No. 89.28 Dorothea Lange (American, 1895-1965) Migratory Cotton Picker, Eloy, Arizona, 1940 Gelatin silver print 10⅜”H x 13⅜”W 26.35 cm x 33.97 cm Image must be credited with the following collection and photo credit lines: Virginia Museum of Fine Arts, Richmond. Arthur and Margaret Glasgow Fund. Digital photo: Travis Fullerton © Virginia Museum of Fine Arts

 

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Obj. No. 2011.17 Wright Morris (American, 1910–1998) Uncle Harry Entering Barn, 1947 Gelatin silver print Sheet: 10”H × 8”W (25.4 cm × 20.32 cm) Image: 9⅝”H × 7⅝”W (24.45 cm × 19.37 cm) signed on verso Wright Morris Image must be credited with the following collection and photo credit lines: Virginia Museum of Fine Arts, Richmond. Floyd D. and Anne C. Gottwald Fund Digital photo: David Stover © Virginia Museum of Fine Arts

 

 

The Power of Pictures

Episode 22  : Today I chat with Dr. Susan Edwards Ph.D about The Power of Pictures exhibition that is going on at the Frist Center until July 4th.

Press Release

 

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Arkady Shaikhet, Express, 1939. Gelatin silver print, 15 5/8 × 21 1/8 in. Nailya Alexander Gallery, New York. Artwork © Estate of Arkady Shaikhet, courtesy of Nailya AlexanderGallery

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From early vanguard Constructivist works by Alexander Rodchenko and El Lissitzky to the modernist images of Arkady Shaikhet and Max Penson, Soviet photographers played a pivotal role in the history of modern photography. The Power of Pictures: Early Soviet Photography and Film examines how photography, film, and poster art were harnessed to disseminate Communist ideology, revisiting a moment in history when artists acted as engines of social change and radical political engagement. Covering the period from the 1917 Bolshevik Revolution through the 1930s, the exhibition explores how early modernist photography and film influenced a new Soviet style while energizing and expanding the nature of the media. Through more than 150 works, The Power of Pictures reveals how striking images by master photographers and filmmakers were seen as powerful propaganda tools in the new Soviet Union, and looks at photography and film together as influential and formally related media.

 

 

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Ansel Adams

Episode 15:  On this episode, I talked with Curator, Allison Slaby of Reynolda House Museum of American Art in Winston Salem, NC. We talked all about the Ansel Adams exhibition as well as an upcoming exhibition she created on Grant Wood and the American Farm.

Ansel Adams exhibit gets record breaking attendance

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Ansel Adams (1902-84), perhaps the best-known photographer in American history, developed a system for creating luminous, vivid landscape photographs in sharp contrasts of black and white. He then printed his film negatives with meticulous attention to craft.  Adams’s manner of framing and capturing both magnificent, large-scale landscape formations, and small, exquisite natural objects created icons of the American wilderness.

 

Mount Denali and Wonder Lake, Denali National Park, Alaska, 1948

Ansel Adams (1902-1984); Sunrise, Mount McKinley, Mount McKinley National Park, Alaska; 1948; Gelatin silver print; Amon Carter Museum of American Art, Fort Worth, Texas; P1969.26

Adams subscribed to the romantic tradition of American landscape, an artistic lineage that included major American painters—including Thomas Cole, Frederic Church, and Albert Bierstadt —whose work anchors the collection of Reynolda House Museum of American Art. 

Adams took his first photos with a Kodak Brownie camera at age 14 during a family vacation to Yosemite National Park, and he would return to Yosemite regularly throughout his life. An early and passionate environmentalist as well as an artist, Adams advocated powerfully for wilderness preservation, national park creation, and the Sierra Club, with which he was affiliated from the age of 17.  His goal was “to rekindle an appreciation of the marvelous.” 

This exhibition’s debut in North Carolina coincides with the centennial of the National Park Service, which marks its 100th anniversary in August 2016. The National Parks Conservation Association has joined Reynolda House as the National Outreach Partner for the exhibition. During the exhibition season, Reynolda House will embark on a series of events and talks focused on themes of sustainability and preservation, highlighted by an Earth Day event co-presented by Wake Forest University.

 

Vernal Fall, Yosemite Valley, California, ca 1948

Ansel Adams (1902-1984); Vernal Fall, Yosemite Valley, California; ca. 1948, printed 1963; Gelatin silver print; Amon Carter Museum of American Art, Fort Worth, Texas; P1966.11.6

These forty breathtaking photographs by the renowned artist-photographer have never been on view together, and Reynolda House is the exhibition’s only venue.

This exhibition’s debut in North Carolina coincides with the centennial of the National Park Service, which marks its 100th anniversary in August 2016. The National Parks Conservation Association has joined Reynolda House as the National Outreach Partner for the exhibition. During the exhibition season, Reynolda House will embark on a series of events and talks focused on themes of sustainability and preservation, highlighted by an Earth Day event co-presented by Wake Forest University.

 

Moonrise Over Hernandez, New Mexico, 1941

Ansel Adams (1902-1984); Moonrise over Hernandez, N.M.; 1941, printed 1965; Gelatin silver print; Amon Carter Museum of American Art, Fort Worth Texas; P1965.41

Oak Tree, Snowstorm, Yosemite Valley, California, 1948

Ansel Adams (1902-1984); Oaktree, Snowstorm, Yosemite; 1948, printed ca. 1972; Gelatin silver print; Amon Carter Museum of American Art, Fort Worth, Texas, Gift of Friends of Photography; P1972.43.2

Ansel Adams: Eloquent Light has been organized by the Amon Carter Museum of American Art, Fort Worth, Texas.

 

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