#artchat

My chat with Charlotte artist, Carla Aaron Lopez about her pandemic-inspired, Outside In exhibition at the Elder Gallery of Contemporary Art

Episode 211: Today I talk to Carla Aaron Lopez, curator at the Elder Gallery of Contemporary Art about her fabulous show Outside In, which I saw last week. It showcased the work some Atlanta artists had done during the quarantine. We talk about how she produced this exhibit as well as her own art practice.

Michi Meko:Tucked: Unknown Direction of Travel. Broken Needle, (2021)
Codi Maddox, Bac to doin Me, Mixed media, 60 x 60

Featured photo, Carla in front of Zipporah Joe’l Matthew 27:46 Acrylic on canvas 72 x 42

#art, #atlantaartists, #artchat, #artexhibition, #eldergalleryofcontemporaryart, #outsideinexhibit, #quarantineart

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Let’s Have a Ball! Chat with Andrea Rosen of the Fleming Museum

Episode 147: Today I talk to Andrea Rosen, the head curator at the Fleming Museum in Burlington, Vt. She tells me all about the Artist, Wood Gaylor, which is the topic of her new book, Wood Gaylor and American Modernism, 1913-1936 which just came out. We talk about the corresponding exhibition, Let’s Have a Ball! which goes until May 8, 2020.

Check out this video of Andrea talking about Wood Taylor


Samuel Wood Gaylor (American, 1883-1957), Picnic, Shaker Lake, Alfred, Maine, 1923. Oil on canvas in hand-carved frame by Robert Laurent. Courtesy of Bernard Goldberg Fine Arts, LLC, New York

featured image credit: Let’s Have a Ball! Wood Gaylor and the New York Art Scene, 1913–1936  — February 7 – May 8, 2020.  Image: Samuel Wood Gaylor (American, 1883-1957), Arts Ball, 1918, 1918. Oil on canvas. Private Collection. 

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Saatchi Art

William A. Noguera, artist from San Quentin

Episode 122: Today I talk to Sonya Pfeiffer, owner of the Elder Gallery of Contemporary Art, [also a criminal defense attorney] here in Charlotte, NC. We talk about the William A. Noguera exhibition, On the Mezzanine. This chat is really special because William actually calls in from San Quentin prison, where he lives and makes his work. The exhibition goes until June 15, 2019.

William A. Noguera
Untitled – Max Opus, July 11, 2018
Gesso with Ground Concrete from San Quentin Yard and Acrylic on Paper.
44 x 28 in

William A. Noguera
Untitled – Opus 318913914112x, September 26, 2018
Gesso with Ground Concrete from San Quentin Yard, San Quentin Prison Newsprint, Wax, Ink, and Acrylic on Paper.
44 x 28 in

JazzMan: A Tribute To John Coltrane
neo-cubist hyper-realism in ink stippling, pointillism
ink on illustration board, original, framed
30″ H x 20″ W, 2006

© The William A. Noguera Trust | ARS, NY.

All images c. Elder Gallery of Contemporary Art

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Both at Once: Chat with Amanda Uribe & Natalie Kates of the Latchkey Gallery

Episode 118: Today I talk to Natalie Kates and Amanda Uribe from the Latchkey Gallery. We talk about the Both at Once exhibition, which features the art of John Rivas and Raelis Vasques. Both are from South America. They each explore the issue of belonging in their own ways through their works. The exhibition is at 340 E.64th St. in NYC. It goes from April 25-May 18, 2019

Te Extraño, John Rivas
Mixed media on canvas
60 x 36 in

Llegando a la frontera,John Rivas
Mixed media on canvas
36 x 52 in
Los Primos de Philly, Raelis Vasquez
Oil on canvas
40 x 30 in
The Beautiful Ones,Raelis Vasquez
Oil on canvas
40 x 56 in

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Art Without Limits

Episode 110: Today I talk with Julie & Jodie McLeod about Art Without Limits, a non-profit in Santa Barbara, Ca. It’s a unique program that connects Artists with mentors.

Art professionals that can really train them and give them a practical education that you can’t get in art school. They learn the real world day-to-day of the artists, they learn how to market, how to do finances, how to promote and sell. Best of all this is free! They are required to give back to the organization and the mentor.

Tom Pazderka,

Fateful Tide, 2011

Acrylic, plaster, emulsion, asphalt, and salt on board


Andi Schoenbaum
Intervals, 2011
Oil on canvas
30 x 30 in. (triptych)

Elite Henenson
Blood Moon, n.d.
Photography

Sol Hill
Landscape no. 0211, 2014
Mixed media metagraph: photography, Japanese paper, acrylic and canvas

All images c. Art Without Limits. Used with permission

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Lighting up your Events and Holidays

More Than Just A Key Finder

The Mellon Collections

Episode 107: Today I talk with Dr. Susan Edwards from the Frist Museum about the The Mellon Family‘s generous donations. The two collections include, Van Gogh, Monet, Degas and Their Times  as well as A Sporting Vision. They are two very different, yet equally great exhibitions.

Van Gogh, Monet, Degas and Their Times

Vincent van Gogh (Dutch, 1853–1890). The Wheat Field behind St. Paul’s Hospital, St. Rémy, 1889. Oil on canvas, 9 1/2 x 12 3/4 in. Virginia Museum of Fine Arts, Richmond. Collection of Mr. and Mrs. Paul Mellon, 83.26. © Virginia Museum of Fine Arts. Photo: Katherine Wetzel


Pierre Bonnard (French, 1867–1947). The Pont de Grenelle and the Eiffel Tower, ca. 1912. Oil on canvas, 21 1/2 x 27 in. Virginia Museum of Fine Arts, Richmond. Collection of Mr. and Mrs. Paul Mellon, 2006.44. Image © Virginia Museum of Fine Arts. Photo: Katherine Wetzel


Kees van Dongen (Dutch, active in France, 1877–1968). Haystacks, ca. 1904–5. Oil on canvas, 19 5/8 x 25 1/2 in. Virginia Museum of Fine Arts, Richmond, Collection of Mr. and Mrs. Paul Mellon, 2014.204. Image © Virginia Museum of Fine Arts. Photo: David Stover
Édouard Manet (French, 1832–1883). On the Beach, Boulogne-sur-Mer, 1868. Oil on canvas, 12 3/4 x 26 in. Virginia Museum of Fine Arts, Richmond, Collection of Mr. and Mrs. Paul Mellon, 85.498. Image © Virginia Museum of Fine Arts. Photo: Katherine Wetzel

A Sporting Vision

Benjamin Marshall (British, 1768–1835). Noble, a Hunter Well-Known in Kent, 1810. Oil on canvas, 40 1/8 x 50 in. Virginia Museum of Fine Arts, Richmond, Paul Mellon Collection, 99.80. Image © Virginia Museum of Fine Arts. Photo: Katherine Wetzel


George Stubbs (British, 1724–1806). Black and White Spaniel Following a Scent, 1793. Oil on canvas, 25 x 30 in. Virginia Museum of Fine Arts, Richmond, Paul Mellon Collection, 85.506. Image © Virginia Museum of Fine Arts. Photo: Katherine Wetzel
John Collett (British, ca. 1725–1780). The Joys of the Chase or The Rising Woman and the Falling Man, 1780. Oil on canvas, 16 x 23 1/2 in. Virginia Museum of Fine Arts, Richmond, Paul Mellon Collection, 99.62. Image © Virginia Museum of Fine Arts. Photo: Travis Fullerton

All images used with permission.

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The City (And a Few Lonely People)

Episode 105: Today I talk to Brian Clamp of ClampArt in Manhattan. We talk about the The City (And a Few Lonely People) exhibition. The exhibition is inspired by Olivia Laing’s memoir The Lonely City: Adventures in the Art of Being Alone.h

Daido Moriyama | New York from Above
Cat, Daido Moriyama
Yokosuka (from Another Country), Daido Moriyama

All images used with permission.

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Discover Original Art, Celebrate Your Walls - Saatchi Art

Ursula Barton & Jailbreak Collective

Episode 101: Today I talk to Ursula Barton about her Jailbreak Studios & Collective, which is an all female group. I first heard about Ursula on Chris Guillibeau’s Side Hustle School podcast, where she talked about her signature Cityscapes; the art she created based upon her hometown, Portland’s skyline. I loved the story so much, I knew I had to get her on my podcast, so through the power of the internet, I reached out & connected!

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All images c. Ursula Barton. Used with permission.

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