artexhibition

Katerina Marcelja, Shoot the Breeze

Episode 147: Today I talk to Brooklyn based artist Katerina Marcelja, about her Shoot the Breeze exhibit at Happy Lucky No.1 Gallery. Every culture has it’s idioms and sayings, “kill two birds with one stone,” “an eye for an eye.” She examines the history behind what we say and questions why we say it. It goes until March 1, 2020.

Cloud, Katerina Marcelja
One Fava, Katerina Marcelja
Skipper, Katerina Marcelja
Slip of the Tongue, Katerina Marcelja
Water under the Bridge, Katerina Marcelja

All images used with permission.

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RESIST! INSIST! PERSIST!

Episode 142: Today I talk to Andrea Rosen of the Fleming Museum in Burlington, Vermont. We talk about the art of activism in the RESIST! INSIST! PERSIST! exhibition which goes until December 13, 2019.

Tony Gleaton (African-American, 1948-2015)
Un hijo de Yemayá (A Child of Yemaya), Hopkins, Belize,
from the series
Africa’s Legacy in Central America, 1990
Gelatin Silver Print
Courtesy of Light Work
John Edmonds (African-American, born 1989)
Jordan Raising His Hand (Encounter), 2015
Inkjet Print
Courtesy of Light Work
Resist_2.jpg
Sabra Field (American, born 1935)
Plainclothesman and Residents: Watts, from the
Decade Portfolio, late 1960s
Linocut print on Goyu paper
Gift of the Pentangle Council on the Arts 1991.80.63I
Francisco De Goya (Spanish, 1746-1828), What a Golden Beak! (Que Pico De Oro!), No. 53 from Caprices (Los Caprichos), 1797-1799. Etching and burnished aquatint on laid paper. Gift of Henry Schnakenberg  1945.2.42

All images used with permission.

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William A. Noguera

Episode 122: Today I talk to Sonya Pfeiffer, owner of the Elder Gallery of Contemporary Art, [also a criminal defense attorney] here in Charlotte, NC. We talk about the William A. Noguera exhibition, On the Mezzanine. This chat is really special because William actually calls in from San Quentin prison, where he lives and makes his work. The exhibition goes until June 15, 2019.

William A. Noguera
Untitled – Max Opus, July 11, 2018
Gesso with Ground Concrete from San Quentin Yard and Acrylic on Paper.
44 x 28 in

William A. Noguera
Untitled – Opus 318913914112x, September 26, 2018
Gesso with Ground Concrete from San Quentin Yard, San Quentin Prison Newsprint, Wax, Ink, and Acrylic on Paper.
44 x 28 in

JazzMan: A Tribute To John Coltrane
neo-cubist hyper-realism in ink stippling, pointillism
ink on illustration board, original, framed
30″ H x 20″ W, 2006

© The William A. Noguera Trust | ARS, NY.

All images c. Elder Gallery of Contemporary Art

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Ken Price at the Georgia O’ Keefe Museum

Episode 121: Today I talk to Ariel Plotek, Curator of Fine Arts at the Georgia O’Keefe Museum about his Ken Price exhibition opening June 7. I found it so interesting how his work corresponds so well to Georgia O’Keefe’s.

Featured photo: Ken Price in his Taos Studio, 2004, Estate of Ken Price, Courtesy of Matthew Marks Gallery


Ken Price: Pagan, 1995,96
Estate of Ken Price, Courtesy of Matthew Marks Gallery

All images used with permission.

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Bust-Head

Episode 119: Today I talk with Deborah Oster Pannell from the C24 Gallery about the Bust-Head exhibition, which features the mixed-media work of İrfan Önürmen. It goes until May 4, 2019



All images used with permission. photo credit: Rachel Hammersley

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Carole Morisseau

Episode 119: Today, Carole Morisseau returns to the show to talk about the Healing Wall installation as well as her recent trip to Brazil.

Featured Photo:Baber, Charcoal and Soil from Brazil, 38” X 40” 2019

Healing Wall (detail) Fibers and Oil on Canvas, 80” X 90” 2019

Listeners,Charcoal and Soil from Brazil, 38” X 40″ 2019

All images c. Carole Morisseau, used with permission.

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Both at Once

Episode 118: Today I talk to Natalie Kates and Amanda Uribe from the Latchkey Gallery. We talk about the Both at Once exhibition, which features the art of John Rivas and Raelis Vasques. Both are from South America. They each explore the issue of belonging in their own ways through their works. The exhibition is at 340 E.64th St. in NYC. It goes from April 25-May 18, 2019

Te Extraño, John Rivas
Mixed media on canvas
60 x 36 in

Llegando a la frontera,John Rivas
Mixed media on canvas
36 x 52 in
Los Primos de Philly, Raelis Vasquez
Oil on canvas
40 x 30 in
The Beautiful Ones,Raelis Vasquez
Oil on canvas
40 x 56 in

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ArtPop Street Gallery

Episode 116: Today I talk with Wendy Hickey of ArtPop Street Gallery. Wendy is known as the “fairy art mother,” here. She puts art on unused and available spaces like billboards and newspaper stands. She’s literally turning our city into an art gallery. [It makes waiting in traffic fun]!

All images used with permission. c. ArtPop Street Gallery

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Jaune Quick-to-See Smith: In the Footsteps of My Ancestors

Episode 111 : Today I talk to Faith Brower, of the Tacoma Art Museum about the Jaune Quick-to-See Smith’s exhibition, In the Footsteps of My Ancestors. I’m fascinated with indigenous art, of which Jaune is one of the U.S.’s finest talents.

Featured Image credit: Jaune Quick-to-See Smith; King of the Mountain, 2005; Oil on canvas 72 x 96 inches, diptych: Collection of the artist

Jaune Quick-to-See Smith
The Swamp, 2015
Oil on canvas
60 x 40 inches
Courtesy of the Accola Griefen Gallery
Jaune Quick-to-See Smith, Tongass Trade Canoe, 1996
Mixed media on canvas, plastic baskets on shelf
60 x 150 inches, diptych
Collection of the Yellowstone Art Museum, gift of John W. and Carol
L. H. Green
(2012.06.01)

All images used with permission.

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Lighting up your Events and Holidays

More Than Just A Key Finder

Returning the Gaze: Jordan Casteel

Episode 106: Today I talk to Rebecca Hart and Jena Pruett of the Denver Art Museum. We are talking about the Jordan Casteel, Returning the Gaze exhibition. Jordan is a Denver-native who lives in New York.

She starts her work with simple snapshots of people she sees on the subway and transforms them into larger-than-life paintings.

Jordan Casteel, Baayfalls, 2018

Jordan Casteel, Twins, 2017
Jordan Casteel, Benyam, 2018
Jordan Casteel, Charles, 2016

All images used with permission.

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