Artist

Carole Morisseau

Episode 119: Today, Carole Morisseau returns to the show to talk about the Healing Wall installation as well as her recent trip to Brazil.

Featured Photo:Baber, Charcoal and Soil from Brazil, 38” X 40” 2019

Healing Wall (detail) Fibers and Oil on Canvas, 80” X 90” 2019

Listeners,Charcoal and Soil from Brazil, 38” X 40″ 2019

All images c. Carole Morisseau, used with permission.

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ArtPop Street Gallery

Episode 116: Today I talk with Wendy Hickey of ArtPop Street Gallery. Wendy is known as the “fairy art mother,” here. She puts art on unused and available spaces like billboards and newspaper stands. She’s literally turning our city into an art gallery. [It makes waiting in traffic fun]!

All images used with permission. c. ArtPop Street Gallery

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Jaune Quick-to-See Smith: In the Footsteps of My Ancestors

Episode 111 : Today I talk to Faith Brower, of the Tacoma Art Museum about the Jaune Quick-to-See Smith’s exhibition, In the Footsteps of My Ancestors. I’m fascinated with indigenous art, of which Jaune is one of the U.S.’s finest talents.

Featured Image credit: Jaune Quick-to-See Smith; King of the Mountain, 2005; Oil on canvas 72 x 96 inches, diptych: Collection of the artist

Jaune Quick-to-See Smith
The Swamp, 2015
Oil on canvas
60 x 40 inches
Courtesy of the Accola Griefen Gallery
Jaune Quick-to-See Smith, Tongass Trade Canoe, 1996
Mixed media on canvas, plastic baskets on shelf
60 x 150 inches, diptych
Collection of the Yellowstone Art Museum, gift of John W. and Carol
L. H. Green
(2012.06.01)

All images used with permission.

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More Than Just A Key Finder

Julie Corder

Episode 109: Today I talk to photographer Julie Corder, of Coffey and Thompson Art Gallery. She is busy doing all sorts of cool things: She is a fine arts photographer at the Coffey and Thompson gallery; Her trademark orchids are really causing a splash, and she is also really excited about the public access show she is co-producing with her husband on the Gold District. She published a book, Touring The Gold District Charlotte, which will be available on her website.

Greensleeves Orchid
Bough of Pink
Invisible Links

All images used with permission.

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Returning the Gaze: Jordan Casteel

Episode 106: Today I talk to Rebecca Hart and Jena Pruett of the Denver Art Museum. We are talking about the Jordan Casteel, Returning the Gaze exhibition. Jordan is a Denver-native who lives in New York.

She starts her work with simple snapshots of people she sees on the subway and transforms them into larger-than-life paintings.

Jordan Casteel, Baayfalls, 2018

Jordan Casteel, Twins, 2017
Jordan Casteel, Benyam, 2018
Jordan Casteel, Charles, 2016

All images used with permission.

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Carol Ann Minor

Episode 103: Today I talk to Carol Minor. She is awesome in so many ways! She is such a talented [self-taught] sculptor, she is deaf and she doesn’t let anything stand in her way. She is just a delightful and inspiring person that I am very happy to have met. She is represented by Coffey and Thompson in Charlotte, NC

OLYMPUS DIGITAL CAMERA
2 foot high patinaed and fired clay ‘Dreaming’
moms-garrison-2-e1299427069591
Bust of Garrison Keillor Life size wax
dscf8586
Cocker Spaniels each $500.00 – 4″ long –  #12 & #13 available now

All images used with permission.

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Center for Contemporary Political Art

Episode 90: Today I talk to Robin Strongin at the Center for Contemporary Political Art in Washington DC. I generally try to stay away from politics on the podcast, but I had to learn more about this gallery.

They want to represent both sides, but no pro-Trump artists  responded to their calls for artwork. They have to work with what they have. So I encourage any Pro-Trumpers and Right Wing artists to connect with them.

Abduction 1 JMcCullough

Abduction of Truth & Justice,  Juliette McCullough

art 10

art 1

All images used with permission.

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The Impossible Ideal: Victorian Fashion and Femininity

 

Episode 85: Today I talk with Andrea Rosen at The Fleming, at the University of Vermont. She tells me all about The Impossible Ideal exhibition. She tells us how the beautiful fashions of the Victorian era were a form of misogyny. This exhibition will be up until December 15, 1018

impossible_ideal_1

LEFT: Ball Gown, about 1860. Cream moiré silk taffeta with floral damask, trimmed with green silk satin, cream bobbin lace, and embroidered ribbon. Gift of Mr. and Mrs. Gregory Falls 1960.20.43 RIGHT: Suit-Style Two-Piece Dress, about 1895. Black and red silk with red silk and white lace. Gift of Mr. and Mrs. James Thomas, Terrill Hall Collection 1987.11.570.

impossible_ideal_2

Dress worn by Ellen Miller Johnson, Class of 1878, for her graduation from UVM, 1878. Blue changeable silk with mother-of-pearl buttons and white net.
Gift of L. Douglas Meredith 1960.2

impossible_ideal_3

Boots, about 1910
Wichert & Co., New York (active about 1900-1920s)
Leather and wool gabardine
Gift of Mrs. Frederick P. Smith and Mrs. Frank H. Davis 1968.5.16

impossible_ideal_9

Joseph Ives Pease (1809-1883)
“Godey’s Paris Fashions Americanized” in Godey’s Lady’s Book, April 1849. Hand-colored engraving.
Museum collection 1975.23.6 LA

 

 

 

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Krpice

Episode 84:  The MEN Gallery in NYC hosts Katerina Marcelja’s solo exhibition Krpice. “Krpice” is a Serbo-Croatian term that  translates as “rags or trifles, references a poem by Vasko Popa, “Give Me Back My Rags“.

krpice_carcasskrpice_KM1krpice_KM2krpice_KM3

krpice_KM4krpice_KM5krpice_KM6

All images used with permission.

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